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Yes. ElevenLabs offers German text to speech on Eleven v4, and German is also inside the older Multilingual v2 29-language list (checked 5 Nov 2026). Type German text, pick a voice such as Otto or Mila, and generate at about one credit per character. The Free plan costs $0 and includes 10,000 credits per month (checked 5 Nov 2026).
Best for: German news and culture podcasts, film and television dubbing, clear business narration, and audiobooks.
Not for: A project that needs the official page to prove a voice is High German or Bavarian from its card alone, because the page gives range wording and a Bavarian carousel, not a per-voice origin certificate.
Starting price: $0 (Free, 10,000 credits per month) (checked 5 Nov 2026); Starter is $1 for the first month, then $6 per month (checked 5 Nov 2026).
Crisp High German to warm Bavarian: the range the German page actually shows
The German page opens with a range claim in plain words: it says a creator can choose from crisp High German to warm Bavarian. That range is a warning against treating German as a single sound, because a news narration, a film dub, and a warm character voice need different deliveries, even when the words on the page are the same. A High German voice that suits a news bulletin may sound too stiff for a character in a game, and a warm Bavarian voice that suits a character may sound too informal for a formal business announcement. The page range is therefore a brief to match voice to format, not a promise that one voice covers all three.
The first voice row names Otto, Leon Stern, Mila, Helmut Stieglbauer, and Christian, and it is marked Page 1 of 4. The accent carousel on the first view shows German Bavarian labels, with Toby, Benjamin, Sissi, Thorsten, and Elli. That Bavarian view sits beside the High German wording in the intro, so a creator sees both ends of the range at once: a formal standard on one side, and a regional warmth on the other. Preview a voice on the exact format planned, whether that is news, dubbing, or a game line, because the page presents range, not a single house style.
German is in the older lists, so dubbing and clarity come first
German, coded de, appears in the 29-language Multilingual v2 list, and it therefore appears in Flash v2.5, which adds only Hungarian, Norwegian, and Vietnamese to that list. The official German page still leads with Eleven v4, described as the most emotive model, with 90+ languages, and v4 is the model to open first when a film line needs a laugh, a pause, or a whisper inside a sentence, because bracketed cues belong to v3 and v4. A straight news narration, by contrast, can be judged on clarity and steady pace alone, without any cue at all, and the model choice will not change its basic intelligibility.
That eligibility picture puts the emphasis where German creators feel it most, which is matching a voice to a picture and to a listener. A dub that is clear but late will fail, and a news voice that is warm but vague will fail in a different way. The contrast with a language outside the older lists is shown in our Urdu voice guide, where the model gate comes first. For German, the gate is already open, so the work is timing, clarity, and register, in that order.
The 309-character German demo: a dragon test for clarity and tone
The German demo box is pre-filled with a German passage about the dragon Zephyros in Eldoria, and its counter reads 309 out of 1,000 characters. Inside the passage sit bracketed cues, including [sarcastically], [giggles], and [whispers], which ask a v3 or v4 voice to shift delivery inside a sentence. For German, the demo test should focus on two qualities at once: whether long German words and compound forms stay clear at a natural pace, and whether a cue changes tone without breaking that clarity. A voice that mumbles a long word in a plain reading will not improve when a cue is added, and a voice that sounds clear plainly is a better dub candidate than a voice that only sounds lively when cued.
Replace the dragon passage with a real German paragraph before judging anything, first plain, then with a single cue on a sentence that needs it, such as a whisper for a secret in a story. Speed, stability, and style controls sit beside the demo, with a download option and a route into Studio for longer work. For dubbing, keep the style setting modest on a first test, because a high style setting can push a voice into a performance that no longer fits the picture, while a steady setting will show whether the voice can hold timing across a full sentence.
News, dubbing, and the largest media market: the six German jobs
The German page lists six uses, and its wording leans toward professional media. It starts with AI agents for German businesses, where a spoken reply must be clear and polite, then moves to podcasts, naming news, culture, and true crime, where a host voice must carry factual material without sounding like a sales pitch. The third use is audiobooks, where a German narrator must hold a long text together across chapters, with consistent pace and pronunciation. The fourth is gaming, where the page points to a vibrant market in Germany, and where character lines must sound like dialogue in a scene, not like a read-out.
The fifth use is video voiceovers, and the German wording is the strongest dubbing claim in this set: it names film, television, and a dubbing tradition, which means German listeners already expect a dubbed voice to match a face and a scene, not merely to read a translation. The sixth is accessibility, where German audio opens written material to listeners who cannot easily read a screen. A creator who also works in French can compare this set with the French voice guide, where the page stresses talk shows and literature, while the German page stresses news, culture, and dubbing.
Writing German for the ear: long words, timing, and register
German text types directly into the demo box, and the demo passage itself is written in German, so the workflow starts in the language of the audience. A script written for print still needs a pass for the ear, because German compound words can grow long, and a voice that rushes a long word will lose the listener, while a voice that pauses too long inside a word will break the sentence. For dubbing, a sentence should be checked against the picture length, because a German sentence that is longer than the original line will not fit the scene, even if it reads well on paper. Formal and informal address should be kept exactly as planned, because a form that is correct in print can sound wrong in a business call.
The official page does not assign a named origin to each voice beyond the intro wording and the German Bavarian carousel labels, and it does not publish a list of German pronunciation limits for particular words, so both items are noted near the sources at the end of this post. The practical answer is a two-format preview: generate the same voice on a news paragraph and on a dubbing line, listen for clarity and timing in both, and keep a voice only if it fits the format it will actually serve, rather than keeping a voice that fits only one of the two.
German pricing in characters
German has no separate price list, and all prices are in USD. The Free plan at $0 (checked 5 Nov 2026) gives 10,000 credits per month, or roughly 10,000 characters at about one credit per character. The Starter plan at $1 for the first month, then $6 per month (checked 5 Nov 2026), gives 30,000 credits per month and adds a commercial licence and instant voice cloning, which matter for paid film, television, and dubbing work. The Creator plan at $11 for the first month, then $22 per month (checked 5 Nov 2026), gives 121,000 credits per month, and the Pro plan at $99 per month (checked 5 Nov 2026) gives 600,000 credits per month. Prices exclude taxes.
| Plan | Price | Monthly credits |
|---|---|---|
| Free | $0 (checked 5 Nov 2026) | 10,000 |
| Starter | $1 first month, then $6 per month (checked 5 Nov 2026) | 30,000 |
| Creator | $11 first month, then $22 per month (checked 5 Nov 2026) | 121,000 |
| Pro | $99 per month (checked 5 Nov 2026) | 600,000 |
A 3,000-character German news segment costs about 3,000 credits, a 5,000-character v4 section costs about 5,000 credits, and a 30,000-character monthly series fits the Starter allowance. A creator who also publishes in other languages can check the full list in our ElevenLabs languages guide, which places the 90+ v4 total beside the older lists.
Pros
- German is inside Multilingual v2, Flash v2.5, and v4, so coverage is not a gate.
- First voice row names Otto, Leon Stern, Mila, Helmut Stieglbauer, and Christian, Page 1 of 4.
- Intro wording spans crisp High German to warm Bavarian, with a German Bavarian carousel view.
- Demo at 309 of 1,000 characters shows tone cues in a German passage.
- Free plan at $0 with 10,000 credits per month (checked 5 Nov 2026) covers real German tests.
Cons
- The page does not prove a voice origin from its card alone.
- The 5,000-character v4 cap means long German episodes must be split and joined.
- Regeneration costs credits again, so an unproofread script gets expensive.
- A voice that suits a news bulletin may sound too stiff for a game character.
- No German pronunciation limit list is published on the page for particular words.
Who should NOT use ElevenLabs for German
Skip ElevenLabs for German if the project requires the official page to certify a voice as High German or Bavarian from its card, because the page gives range wording and carousel labels, not origin certificates, on 5 Nov 2026. Skip it also if a single unbroken v4 generation longer than 5,000 characters is essential, or if the budget allows no correction pass, since timing and long-word checks usually need one. In those cases, a recorded speaker matched to the exact scene fits better. For news, culture, and true crime podcasts, film and television dubbing, business narration, gaming lines, audiobooks, and accessibility audio, where a previewed voice and a clean script are enough, the German page gives a strong shortlist, much as the Spanish voice guide does for its accent labels.
Frequently asked questions
Is German in Multilingual v2?
Yes. German, coded de, is in the 29-language Multilingual v2 list from the 5 Nov 2026 model check, and it stays in Flash v2.5, which adds only Hungarian, Norwegian, and Vietnamese to that list. German creators therefore choose a model by tone, timing, and length, not by exclusion, although the official German page still leads with Eleven v4, and v4 is the choice when bracketed tone cues matter.
What does crisp High German to warm Bavarian mean in practice?
It means the page promises a range, from a formal standard to a regional warmth, not one house style. A news bulletin, a film dub, and a warm game character are different jobs, and a voice should be previewed on the exact format it will serve. Do not treat the intro phrase as proof that a single voice fits all three jobs, because the phrase describes the page range, not a single voice.
Are Otto, Leon Stern, and Mila German voices?
Yes, as presented on the German page. The first German voice row names Otto, Leon Stern, Mila, Helmut Stieglbauer, and Christian, and it is marked Page 1 of 4, so further German voices sit on later pages. Those names are presented as German voices on that page, but a High German or Bavarian match still has to be heard, because a name alone does not prove a regional fit.
How long is the German demo passage?
309 characters out of 1,000. The German demo box is pre-filled with a German passage about the dragon Zephyros in Eldoria, with a counter reading 309 of 1,000 characters, so there is room to replace it with a real German paragraph. Inside the passage sit bracketed cues such as [sarcastically], [giggles], and [whispers], which shift tone inside a line on v3 and v4.
How much German audio does the Free plan give?
About 10,000 characters per month. The Free plan costs $0 and includes 10,000 credits per month (checked 5 Nov 2026), at about one credit per character, so a 3,000-character news segment uses about 3,000 credits. A weekly German series will outgrow that allowance and should move to Starter at $1 for the first month, then $6 per month (checked 5 Nov 2026), with 30,000 credits per month.
Can I dub a German film clip with ElevenLabs?
Yes, for short clips. The German page lists video voiceovers, including film, television, and a dubbing tradition, as a use, and a clip should be generated in sections that match the picture, with the same voice kept across sections. Check each German sentence against the picture length, because a sentence longer than the original line will not fit the scene. For paid dubbing, move to Starter at $1 for the first month, then $6 per month (checked 5 Nov 2026), which includes a commercial licence.
Can I use German voices for news podcasts?
Yes. The German page lists podcasts, including news, culture, and true crime, as a use, and a news voice needs clarity and a steady pace rather than a dramatic performance. Preview the voice on a factual paragraph with names and numbers, not just on a story introduction, because a voice that sounds warm on a story may sound vague on a news bulletin. The Arabic voice guide treats podcasts differently, stressing true crime, interviews, and storytelling.
Sources checked
- ElevenLabs German text to speech page — Otto, Leon Stern, Mila, Helmut Stieglbauer, and Christian, Page 1 of 4, crisp High German to warm Bavarian wording, German Bavarian carousel, demo at 309 of 1,000 characters, and six uses, checked 5 Nov 2026.
- ElevenLabs pricing page — Free, Starter, Creator, and Pro prices and credits, checked 5 Nov 2026.
Not stated on the official page as of 5 Nov 2026: a named origin assigned to each individual voice beyond the intro wording and carousel labels, and a published list of German pronunciation limits for particular words.
Last updated 5 Nov 2026. Prices checked on elevenlabs.io/pricing on that date; confirm at checkout.